I would like to take a break from discussing movies and cookbooks for a second to talk about a subject that is near and dear to my heart. I direct this post to all the jack-asses out there that don't seem to understand how the general admission works at a small venue concert. Let me enlighten you with a few rules.
When you are dancing in your predefined area of the floor, keep your hands and feet inside the imaginary box. Pretend you're a mime and stay there. I don't want some lady - who isn't all that attractive to begin with - throwing her hands in my face for the first half of the show.
Yes, I said "attractive." Let's face it: the amount of crap guys are willing to put up with from the girl standing in front of them is directly proportional to their attractiveness or, if they are a guy, the attractiveness of their girlfriend.
Yes, I said "attractive." Let's face it: the amount of crap guys are willing to put up with from the girl standing in front of them is directly proportional to their attractiveness or, if they are a guy, the attractiveness of their girlfriend.
-LA
Though his analysis is amusing, both Parker and I must adamantly disagree with Langdon's attractiveness/annoyance principle. We take the exact opposite approach: the more attractive the person (guy or girl) is, the less breaks we cut them. Because hey, they've probably been getting by on their looks most of their lives. Consider it a type of affirmative action, but based on attractiveness instead of race. And reversed. Or something.
What I'm trying to say is that we're just trying to level the playing field. Seriously. -KV
2 comments:
Perhaps because everyone cuts them breaks, the attractive girls are generally the ones who feel the need to insert their elbows into your ribcage for no apparent reason. Up with regular girls.
Stiosabi,
-a
Stiosabi?
Stiosabi!
-K
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